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Eero Saarinen (August 20, 1910 – September 1, 1961) was a Finnish American architect and industrial designer of the 20th century famous for shaping his neofuturistic style according to the demands of the project: simple, sweeping, arching structural curves or machine-like rationalism.

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Eero Saarinen was elected a Fellow of the American Institute of Architects in 1952. He is also a winner of the AIA Gold Medal in 1962.

Saarinen is now considered one of the masters of American 20th-century architecture. There has been a surge of interest in Saarinen's work in recent years, including a major exhibition and several books. This is partly because the Roche and Dinkeloo office has donated its Saarinen archives to Yale University, but also because Saarinen's oeuvre can be said to fit in with present-day concerns about pluralism of styles. He was criticized in his own time—most vociferously by Yale's Vincent Scully—for having no identifiable style; one explanation for this is that Saarinen adapted his neofuturistic vision to each individual client and project, which were never exactly the same

In 1973, the Aline and Eero Saarinen papers were donated to the Archives of American Art, Smithsonian Institution, by Charles Alan, Aline Saarinen's brother and executor of her estate. In 2006, the bulk of these primary source documents on the couple were digitized and posted online on the Archives' website.

An exhibition of Saarinen's work, Eero Saarinen: Shaping the Future, was organized by the Finnish Cultural Institute in New York in collaboration with Yale School of Architecture, the National Building Museum, and the Museum of Finnish Architecture. The exhibition toured in Europe and the US from 2006 to 2010.From May to August 2008, the exhibit was at the National Building Museum in Washington, DC. The exhibition was accompanied by the book Eero Saarinen. Shaping the Future.

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